Taipei Robot Man
台北機電人
site-specific installation, kinetic installation, found objects, single-channel video, live performance, dimensions variable
現地裝置、機械裝置、現成物、單頻道錄像、現場表演,尺寸依場地而定,
2020

Through performance, installation and imagery, “Taipei Robot Man” explores the relationship between digital technology and traditional craftsmanship. During his period as artist-in-residence on Treasure Hill, Ting-tong Chang visited various recycling stations in Taipei and learned electronic repair techniques from onsite technicians. These “technicians” are a significant part of the electronic industry. They are a group of technological craftspeople. Although lacking professional training and equipment, these amateurs dismantle electronic waste using folk wisdom, endowing broken home appliances with new life.

By collaborating with these electronic repair technicians, “Taipei Robot Man” explored the relationship between craftsmanship and technology by tracing the lifespan of technology products, from their production through to consumption and finally disposal. This project endowed these disposed digital products with new value and thus provided them with the possibility of being re-produced and re-used.

Ting-Tong Chang combined learned-craftsman knowledge and collected-electronic waste to create this project. These mechanical installations danced, waved and illuminated with the vibration of sound. There is a sense of practicality in his visual language. It is interactive and develops into a platform, a field of noise.

Exhibited in Treasure Hil International Artist Village

概念設計:張碩尹|裝置製作:張碩尹|互動設計:張碩尹|影片拍攝與剪輯:蔡弦剛|平面攝影:Uncle Photography,Charles-Henri Paysan|贊助單位:文化部、寶藏巖國際藝術村|特別感謝:中壢木匠之家、慈濟八德環保回收站

Concept and Design: Ting-Tong Chang|Installation Fabrication: Ting-Tong Chang|Interaction Design: Ting-Tong Chang|Filming and Editing: Tubie Tsai|Photography: Uncle Photography, Charles-Henri Paysan|Supported by: Ministry of Culture, Treasure Hill Artist Village|Special Thanks: Zhongli Carpenter’s House, Tzu Chi Bade Recycling Station

評論 ↓↓↓
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