SOAP is an online interactive project by artist Ting Tong Chang, aimed at exploring the possibility of using the internet as the main platform for exhibitions. SOAP reflects the situation during the pandemic in 2021, where many physical exhibitions were forced to cancel, and the internet became the only possible domain for exhibitions. Compared to traditional physical exhibitions, online exhibitions offer more innovation and possibilities, as they can break through the limitations of time and space, interact with audiences, and even mix with the real world.
SOAP takes the fake news event German Corpse Factory (Kadaververwertungsanstalt), which originated from the First World War, as its starting point. The German Corpse Factory was a false news that occurred during the First World War. In reality, Kadaververwertungsanstalt was an organization that actually existed in Germany, and its name translates to "animal carcass utilization facility." Its purpose was to process animal carcasses into various products, such as glue, fertilizer, and soap, as a means of disposing of animal remains. This organization played a key role in the German economy during both World War I and World War II, as it helped provide crucial resources needed for the wars. This method of utilizing animal carcasses was seen as an efficient and effective way of waste disposal and resource management.
Taking inspiration from this story, the artist team built a fictional factory within a real factory, and each scene in the video is a surreal combination of the actual factory and the artistic creation. It serves as both a soap production factory and an information production content farm.
The artist invited performers to play different roles in the production process, such as workers who mechanically inspect soap on the conveyor belt and long table, victims sinking in large mixing tanks, and indifferent managers. Both the factory and the performance refer to how information is mass-produced and consumed across different media and social platforms.
Unlike most online exhibitions that replicate real spaces through digital technology, the artist has created a fictional factory that only exists on the internet. Through video recordings of performances that take place on the site, and with the help of engineers, the artist has created a site-specific installation that exists in the virtual space.
Viewers of this work can wander around the virtual factory, following the drone's camera as it floats among industrial machinery. The viewing experience is reminiscent of video games. Viewers will notice many 3d soap symbols floating in the image. These are portals that lead to different storylines. By clicking on the soap symbols, viewers can explore different corners of the factory and observe various related events. Ultimately, they construct their own viewing path and explore the relationship between reality and virtuality.
project link: www.thesoapfactory.com.tw
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https://www.art-film-festival.com/about-8-19
https://proyector.info/profile/ting-ting-chang-hsuan-kang-tsa-soap/
http://www.bidff.ro/international-competition-iv-22
《肥皂》為藝術家張碩尹的網路展覽計畫,旨在探索使用網路作為主要展演平台的可能性。《肥皂》反應了在2021年疫情時期,許多實體展覽被迫取消,網路成為展演的唯一場域。相較於傳統的實體展覽,網路展演具有更多的創新與可能性,因為它可以突破時間、空間的限制,並且可以與觀眾互動,甚至可以與現實世界混合。
《肥皂》以第一次世界大戰的假新聞事件「肥皂工廠(Kadaververwertungsanstalt)」作為起始點。肥皂工廠事件是第一次世界大戰期間發生的一起假新聞事件。實際上,Kadaververwertungsanstalt是在德國真實存在的組織,其名稱翻譯為「動物屍體利用設施」,目的是通過將動物屍體加工成各種產品(如膠水、肥料和肥皂)來處理動物屍體。該組織在第一次世界大戰和第二次世界大戰期間在德國經濟中扮演了關鍵角色,因為它幫助提供了戰爭所需的重要物資。這種利用動物屍體的方法被視為一種高效而有效的廢棄物處理和資源管理方式。
在戰爭期間,肥皂工廠的功能開始被英國情報機構刻意扭曲,被描繪為在森林深處設立的秘密工廠,其目的在將屍體溶解再製成肥皂,以供物資缺乏的德國軍隊使用。這個謠言很快在當時的大眾媒體上得到推波助瀾,並結合當時對德國的偏見和陰謀論,迅速在群眾中流傳開來。
藉此故事為藍本,藝術家團隊在真實工廠當中搭造了一虛構工廠,每個影片中出現的風景均是真實工廠與美術場景所交融出的超現實景象,其既是肥皂生產的工廠,也是資訊產製的農場。
藝術家邀請表演者扮演產製過程中的不同角色,諸如在輸送帶與長台上機械式地檢查甫出爐肥皂的工人、沉浮於大型攪拌池中的受難者,與冷漠觀望的管理者。無論工廠或是表演,都指涉了資訊如何被規模化生產吞吐,在不同媒體與社交平台恣意流竄的狀態。
有別於多數線上展覽透過數位科技複製現實空間,藝術家在網路上創造了一個虛構的工廠。他透過錄像捕捉場域內發生的演出,並經由工程師編碼,成為在網際網路上存在的「現地製作」。
觀看此作品的觀眾彷彿在此虛擬工廠當中遊走,他/她跟隨著無人機的鏡頭漂浮在工業機具之間—其仿若電子遊戲的觀看方式,觀眾會發現許多漂浮在畫面中的肥皂,其為通往不同故事線的通道,透過點選肥皂,觀眾在工廠的不同角落,觀看各種相關的事件,最終,他/她建構了屬於自己的觀看途徑,並藉此探索現實與虛擬的相互關係。
作品連結:www.thesoapfactory.com.tw
↓ 影片請往下滑
https://www.artforum.com.cn/diary/13642
https://artemperor.tw/focus/4322
https://drive.google.com/file/d/1vV16pMcTFwaV-kD6TpITUcOSsnKydSx1/view?usp=drive_link
https://www.verse.com.tw/article/soap-fake-news
https://www.damanwoo.com/node/95398
https://blow.streetvoice.com/58342/
https://open.spotify.com/track/41t8LyOyWUWkR5wB5Zdce8
演員 Cast:陳武康 Chen Wu-kang、林家麒 Lin Chia-chi、姚吉慧 Yao Chi-hui、廖銘和 Dino 、陳靚 Chen Ching、陳嫺靜 Hsien-ching| 導演 Director:張碩尹 Chang Ting-tong、蔡弦剛 Tsai Hsuan-kang| 副導 Assistant Director:洪靖安 Hung Jing-an| 製片 Producer:林君翰 Lin Chun-han| 執行製片 Production Coordinator:洪靖安 Hung Jing-an| 製片助理 Production Assistant:李添進 Li Tien-chin、蔡欣甫 Tsai Hsin-fu、王妍文 Wang Yen-wen| 攝影指導 Director of Photography:陳冠宇 Chen Kuan-yu| 攝影大助 1st Assistant Camera:楊哲奇 Yang Che-chi| 攝影二助 2nd Assistant Camera:林依頻 Lin Yi-pin| 美術指導 Production Designer:張軼峰 Chang Yi-feng、廖音喬 Liao Yin-chiao| 美術執行 Assistant Art Director:劉邑琳 Liu Yi-ling| 美術助理 Prop Master: 劉柏言 Liou Bor-yan、張洳靜 Chang Ju-ching、蕭家棋 Hsiao Chia-chi、陳怡蓁 Chen Yi-zhen、謝家恩 Hsieh Chia-en| 燈光指導 Gaffer:游凱翔 Yu Kai-hsiang| 燈光大助 Best Boy:林建志 Lin Chien-chih| 燈光二助 Lighting Technician:羅煒 Lo Wei| 聲音設計 Sound Designer and Mixer:馮志銘 Feng Chih-Ming| 現場收音Sound Recordist:吳峟賢 Wu Yu-Hsien、戴向諶 Immanuel Dannenbring| 造型指導 Costume Designer:范玉霖 Fan Yu-lin| 造型助理 Assistant Costume :吳定盛 Wu Ting-sheng| 妝髮造型 Makeup Artist:洪丌涵 Edna Hung| 平面攝影 Still Photographer:劉哲均 Liu Che-chun| 工作側拍 Behind the scense:王思淳 Wang Szu-chun| 剪輯 Editor:蔡弦剛 Tsai Hsuan-kang| 調光 Colorist:詹謹嘉 Chan Chin-chia| 動畫 Animator:莊仲凱 Kyle Jhuang|
視覺設計 Graphic Design:Shauba Chang、黃正亞 Huang Zheng-ya| 網站建置 Web Development:周嘉銘 Jonas Chou、蔡易洋 Taylor Tsai、周嘉隆 James Chou| 張碩尹工作室 TTC Studios:王芮瑀 Ray Wang|
國立臺北教育大學 北師美術館 MoNTUE, Museum of National Taipei University of Education| 總策劃 Producer:林曼麗 Lin Mun-Lee| 工作人員 Staff: 王若璇 Rocean Wang 、王欣翮 Elanor Hsinho Wang、王怡心 Wang Yi-hsin、徐珮琳 Hsu Pei-lin、陳俐臻 Chen Li-jen、劉聞宜 Liu Wen-yi |
指導單位 Supervisor:文化部 Ministry of Culture| 主辦單位 Organizer:國立臺北教育大學 北師美術館 MoNTUE, Museum of National Taipei University of Education 創作補助 Sponsor:國家藝術文化基金會 National Culture and Arts Foundation 、台新銀行文化藝術基金會 Taishin Bank Foundation for Arts and Culture| 活動補助 Sponsor :台北市政府文化局 Department of Cultural Affairs Taipei City Goverment|
特別感謝 Special Thanks:賴俊良Lai Chun-liang、陳晞Chen Hsi、台灣糖業股份有限公司 虎尾糖廠Taiwan Sugar Corporation Huwei Sugar Factory